Tuesday, 10 July 2012


The transition from Stop motion into the first scene of the "London calling" sequence was supposed to have a camera move on it. The footage of the boat was however already shot and there was no material at the head to facilitate such a move. This is the animatic from those happy times when I still believed the move could be done...

windrose from Felix Sputnik on Vimeo.

Girls with fishtails

Here is a quick cycle of a mermaid that you may be able to see in the movie if your eyes are quick enough... I used them to spiff up the journey to Panama, but due to speed of editing and motion blur, the little creatures are just as likely to be seen in this shot, as they are in the wild... but, you can see one here.

mermaid2 from Felix Sputnik on Vimeo.